October 13, 2015 by augustschulenburg. Most of all, Ty helped me to see that it could be changed. After all, we were only asking for the sign in our hallways to change, along with our Outlook calendars and away messages. Such a small act, and yet from such small acts, the gristly machine of colon.

Thursday, August 6, 2009. Offers nothing so neatly packaged. Instead, it weaves three dream-like tales together in what I consider to be more a poem than a play. I know this distinction is contentious and perhaps arbitrary, but to me. Though this man eventually joins.

A blog devoted entirely to New Jersey theater. Sunday, March 23, 2008. In the meantime, a rare timely Review Preview of Argonautika. I was hoping for, but quite interesting and kind of fun to watch. And what could be better than a visit to Princeton in the spring? Please all keep my stepson, Cyle. In charge of a reconnaissance.

A free and open platform for theatremakers worldwide. Learn how you can participate. Assessment of the National Playwright Residency Program. Holly Sidford, Alexis Frasz. Five Grounding Techniques to Cultivate Resilient Ensembles. Ldquo;Self-identification for me is a slow process of trying things, rearranging, and swapping some things out as my identities grow and change. Yan Chen, Kit Yan. Making Theatre Out of Slam Poetry.

INTAR Producing Latino Voices since 1966. Please join our mailing list here. 500 W 52nd Street, 4th Floor. New York, NY 10019.

Trigger Warnings and Various Attempts.

Thursday, September 16, 2010. September 2010-John Clinton Eisner, Lark Producing Director. Not at some shiny lobby. In addition to building a physical home where our community can gather to plan and work,. We have a strategic interest in growing our fundraising staff and its .